Wednesday, 11 May 2016

Shoot 4 Work Record

For this shoot, I wanted to take a technique which I had experimented with in unit 3 and apply it to journey. This premise involved the combination of image and text, highlighting key themes within the photography and using connotations in order to cause the audience to feel a sense of journey. I wanted to create a number of images which would work as a series, highlighting different locations in order to create a feeling of journey when you examine the images together, noting the ways in which each location contrasts from each other. I wanted to research the use of image and text within photography and looking at ways I could use inspiration within my own work. Within my research, I found an image but was unable to find the name of the photographer. This image used colours and contrasts in order to highlight key themes within the image. The theme was 'never look back' and the colours within the image reflected a sun rising, suggesting the beginning of a new story. I could take the idea of connotations and apply them to each location in order to present them with their unique identity. I would use vastly different locations which I have travelled to and photograph and focus on their unique aspects in order to create a series of images that would give a sensation of journey to the audience.

Inspiration from the internet:



My Images:



These images are used in order to communicate different locations through the use of connotations within a number of different ways. The first image attempts to reflect the setting of New York through these methods. As a result specific font has been chosen to spell New York. This block font stands thick and tall and is used to evoke connotations of the structure of a building. The image uses two colours that blend into each other. This use of purple and pink is used to simulate the neon lights and heavy advertisement of times square that is commonly associated with the location. The image within the text reflects these aspects as the neon signs and tall buildings are all present, presenting New York in a unique way to other locations. These themes are also present within the second image. This image is used to round off the series of images within the shoot. They all link under the theme of journey which is refleted as the focus of the image through the use of the word. A sense of journey is implied through the use of three different locations and the contrasts in connotations associated with each one. The forest area to the left of the frame is represented through thin text that curves almost like a vine and features the colour green which offers connotations to the environment and forest areas. This then blends in to the middle image which is representing New York. The empty forest is contrasted heavily by the vast landscape shot of the city. This contrast is emphasised further through the use of thick text which contrasts with the twig-like text of the forest location. The use of pink/purple is used to imply the neon aspects associated with the city life. This image ends by blending into the southend area. The more traditional seaside area is represented by sophisticated text associated with an older time. The use of sky blue is used to offer connotations to the hot, clear weather of seaside holidays within locations such as this. As a result, these images cause the audience to feel a sense of journey by experiencing vastly different locations through the use of connotations and contrast.





I used the same technique for each image. I first created a new document which featured a white background. I then proceeded to type the word New York. It is important that the text features enough of an area that the image can remain visible within. As a result I used bold on the text and used text which would offer connotations to New Yorks tall buildings and skyline.





Once completed, I pasted my chosen background image and moved the layer to the top of the panel. I then lowered the opacity on the image and used free transform in order to achieve the composition which I needed for the image. Once I had achieve the correct composition, I raised the opacity of the new layer to 100% again and created a clipping mask for the layer. This would make the image clip to the layer bellow, which in this case was the text layer. As a result the image fitted perfectly into the shape of the text.



I then wanted to focus on colours which would reflect the connotations associated with the area of New York. For this I wanted to reflect the lights of New York that can be seen within places such as Times Square. For other locations I used a single solid colour, however in order to reflect a neon light effect I used the gradient tool which would merge colours seamlessly into each other. I reflected the neon lights through the use of purple and pink. I then cropped the unnecessary area surrounding the text in order to finish my image.

Progression:

I was able to achieve my goal of creating a series of images which would work together to evoke a sensation of journey. If I were to develop this idea further, I would look at featuring all the images within a collage or multiple imagery in order to make the sensation of journey more apparent. For my next shoot, I want to experiment with a simple form of journey through the use of travel photography which will take influence from photographers such as Stephen Shore.

Shoot 3 Work Record

For this shoot, I wanted to imply the different forms in which journey can take and explore the different types of people along with their own journeys that they may take. In order to capture this, I looked at photographers such as Jason Travis and his work on people and their possessions. His images focus on reflecting aspects of a person's life by showing possessions which are personal and special to them. This served as a massive influence on my shoot, as I could take an idea of showing each person in their unique way and apply it to the subject of journey. I could do this by focusing on possessions that people may take with them on different journeys, I would replicate a style similar to Travis' photography in order to show each item in a symmetrical and easy to understand way. This would allow the audience to dissect the lives of the different people and guess what type of journey they may embark on. I would focus on heavy themes of contrast in order to make the items stand out visually from their background; I could apply this through the use of a white background and a black and white filter. I am choosing to take these photographs outside of a studio location in order to reflect a visual style similar to Jason Travis. As I am photographing in an indoor environment with a lack of studio equipment, I have had to adjust my camera settings accordingly in order to achieve an image with enough detail within it. I used a shutter speed of 1/125, an f stop of 2, and an ISO of 4000. This would allow me to have images that are lit well enough under the conditions in order to maintain detail.

Jason Travis influence:


My Images:


This image features a heavy boots, a thick jacket, and a section of knives and an axe. This should give the audiences connotations to foragers. This reflects the journey that will be taken by this person as they travel within the wildlife, collecting resources and possibly walking through thick mud. This contrast heavily with city life and instead depicts someone who may live within the countryside within a secluded location surrounded by wilderness.


This image contrast heavily with the last as we see a more casual form of journey. Within the frame, there are two pairs of sunglasses along with one case, a polaroid camera and a baseball glove clutching a baseball. This is clearly a journey that is being undertaken by perhaps a young person who is a tourist in another country. The logo on the ball as well as the feature of a baseball glove imply that the journey is being taken within America. The logo on the ball adds specificity to the journey as it features the New York Yankees symbol. This is a widely known symbol and should immediately indicate the type of journey that the person is embarking on. The use of accessories such as sunglasses imply that the person is travelling somewhere sunny such as America.

Progression:

I feel that I was able to develop the photography techniques used by Jason Travis through composition and apply them in a way that served the purpose of journey. If I were to develop this shoot further, I would take more influence from travis and use portraiture in order to show the person that is being represented within the image, making the idea of what journey the person is going on more apparent to the audience. For my next shoot, I would like to utilise Photoshop within my work and combine it with location photography in order to show journey.

Shoot 2 Work Record

For this shoot I wanted to focus on a visually striking technique that will analyse the thoughts of people and their desire to embark/remember journeys. To communicate this message I opted to focus on multiple exposure. This technique is often utilised by many photographers such as Andre de Frietas who uses it as a means to explore the mind of the subject. I used his images as a crucial influence for visual style of my shoot. I used the same technique within one of my Unit 3 shoots. I wanted to develop my use of the technique, using my experience with the technique in order to create a more professional result. I will focus on elements of journey from a want to travel, and a sense of emotional journey. I will reflect this from photographing areas which are not common within everyday life and key moments in a person's life such as a football cup final. For studio shoots, I only needed to keep a simple two light set-up with two soft boxes. I needed to ensure that the portraits were well lit to capture details of the face within the editing process. I had a shutter speed of 1/125, an ISO of 200 and an f stop of 8. These settings would allow me to capture well lit and detailed portraits. For the two images bellow, I captured the New York images at night. I was taking photographs in Southend on a sunny day. In order to avoid having images that were over exposed, I used a shutter speed of 1/320, an f stop of 13 and an ISO of 400. This would ensure that my images would be well balanced with detail remaining in the frame.

Andre de Freitas influence:


My Images:


This image features a persons face combined with a football match. On their own, each image would not communicate the message that I am attempting to achieve but combined they have the ability to communicate journey on a very personal level. The image is attempting to show a person reflecting on a journey that they have been on within their life. In this case the memory being shown is a cup final match. This is shown as the position of the person looks up and to his left, this is gives the impression that he is reminiscing on this past event proudly. Meanwhile the event that he remembers is taking place within his head. This reflects journey on an emotional level and a journey of the team to victory.





I used a similar effect for all of these images. I made sure to adjust the levels within the portrait image in order to make the background a more solid white colour. I then used the magic wand tool in order to create a selection. I then inverted the selection in order to create a selection of the person. I created a new layer with the selection by using cmd and j. I created a new layer and placed it behind the selection layer. I then filled the new background layer with the colour white. This ensures a crisp image while allowing the effect to independently affect the selection compared to the background. I added a black and white filter and added a clipping mask to the selection.




I then proceeded to copy and paste the background which I wanted to use. I lowered the opacity of the image and used free transform to achieve the composition I wanted. I added a black and white filter with a clipping mask to the new image. I adjusted the blue colours within the black and white filter in order to make the sky of the image white and blend into the background of the image. I then made a selection of the portrait layer and added a layer mask in the shape of the face to the second image. I changed the blend mode of the second image to lighten.



I returned to the white background layer and filled it with the same colour as the image. I then created a new layer and used a brush tool with 0% hardness and began to blend the background and the portrait together, creating a more seamless effect.


This image features a person who is featured with another image of a sunny location. This image is a attempting to reflect a desire to embark on a journey. This is reflected within the posture of the person. Their head is faced towards the floor with their eyes shut. This implies that the person is currently sad within their mundane, everyday life. This dull tone is emphasised with a clouded grey background which offers connotations to dullness. This is contrasted with a vast environment in his head that appears sunny. This thought process is shown through the use of composition too. The left of the frame is shown through emptiness while the person occupies the right of the frame. This is done to suggest that the left side represents his desire for journey, however as we venture to closer to the right on the frame, the person begins to take more of a physical form, implying that he has to face his dull everyday life.

Progression:

It is clear that I have taken onboard criticisms that I had from my other attempt at multiple exposure and have used my experience with the technique to improve the quality of my images and produce something that is similar to the photography of Andre de Frietas. If I were to develop this shoot further, I would incorporate elements of selective colour into the effect, heightening contrasts within the image. For my next shoot, I want to imply journey through the use of practical photography in order to create some variation from my use of Photoshop within my previous shoots.


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Shoot 9 Contact Sheet


Shoot 8 Contact Sheet



Shoot 3 Contact Sheet